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	<title>am-ps</title>
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	<pubDate>Mon, 21 Jan 2019 19:06:42 +0000</pubDate>
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		<title>Talis Journal</title>
				
		<link>http://am-ps.info/Talis-Journal</link>

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		<pubDate>Mon, 21 Jan 2019 19:06:42 +0000</pubDate>

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		<description>

Talis Journal of Psychic Protection, Volume I, A Brief History of UltraViolet, 2018
					    			
Download PDF
Order Hardcopy

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		<excerpt>  Talis Journal of Psychic Protection, Volume I, A Brief History of UltraViolet, 2018 					    			 Download PDF Order Hardcopy   </excerpt>

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		<title>Shaggy Dog Stories</title>
				
		<link>http://am-ps.info/Shaggy-Dog-Stories</link>

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		<pubDate>Mon, 21 Jan 2019 18:53:04 +0000</pubDate>

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		<description>Shaggy Dog Stories and Other TalesJanuary 5 - March 23, 2019Angels Gate Cultural Center, San Pedro, CA

Kate Berlant and Natalie LabriolaJosh Callaghan

K8 Hardy and Wynne Greenwood&#38;nbsp;
Roni Shneior
Alake ShillingThe Smudge

Barak Zemer

					    			In comedy, literature, and film, the term “shaggy dog story” refers to a tale or joke that is absurd and anti-climactic, challenging the conventions of traditional narration. While the story appears headed toward a major apex, it stops short of getting there, leaving the listener jolted by what they just heard. The artists in Shaggy Dog Stories and Other Tales make use of similar strategies, creating works that combine humor with a sense of criticality. Encompassing a range of media — including sculpture, photography, installation, and video — their various projects oscillate between the strange and familiar.

On view in the exhibition are two performative video pieces — Kate Berlant and Natalie Labriola’s Satellite Space(2014) and Wynne Greenwood and K8 Hardy’s New Report (2005). Using deadpan humor and absurdist gestures, each video mocks a workplace scenario — a futuristic yoga ball sales office in Satellite Space and a feminist newsroom in New Report. While entertaining in nature, the video’s characters and their stories contain much more complex layers. The Smudge, a monthly newspaper published by Tan &#38;amp; Loose Press, includes writing and illustrations by a dynamic group of guest contributors. Ranging in tone from critical to comedic, it offers readers an alternative voice on current issues, concerns, and events.

Artists Josh Callaghan, Roni Shneior, and Alake Shiling present sculptural works that play with fantasy and the uncanny. Callaghan’s larger-than-life Two Dollar Umbrella (2012) is a massive, broken umbrella structure, bringing humor to this relatable minor tragedy. Shneior and Shiling’s works in ceramic offer surreal representations of animals, bodies, and hybrid creatures, evoking a range of emotional and psychological states. Bark Zemer’s photographs turn our attention to moments of the mundane, highlighting the constructed or bizarre spectacle within the image. In Cake (2018), the artist continues his series depicting grocery store items, comically staging a pink cake to appear as if it were floating, but making visible the strings that keep it in the air.

As alternative comedy has come to be more embraced in popular culture, marking a growing self-awareness in our society, we find many of these tropes employed in contemporary art-making as well. The artists in Shaggy Dog Stories and Other Tales employ irony, surrealism, and absurdist narrative structures in their work, as a way to resituate the viewer and incite new perspectives.About the artists:

Kate Berlant (b. 1987, Los Angeles, CA) is an actor, stand-up comedian, and writer. Berlant frequently tours North America, performing at festivals including Sasquatch, Bumbershoot, Festival Supreme, SXSW, Treasure Island Music Festival, the New York Comedy Festival, and Montreal’s Just for Laughs. She has received critical praise for her performances, and was profiled by The New York Times as a “magnetic improvisational comic” at the forefront of experimental comedy. She recently wrapped pilots for Comedy Central, TBS and TruTV and can be seen on Comedy Central’s The Meltdown, Viceland’s Flop House, and SeeSo’s UCB Show. She voices several characters on HBO’s Animals as well as Netflix’s Bojack Horseman. She wrote, executive produced, and starred in her own episode of Netflix’s original series The Characters. She also wrote and starred in an original Vimeo series along with John Early and director Andy DeYoung called 555. Berlant has a residency with her show “Communikate” at UCB Franklin in Los Angeles.

Josh Callaghan (b. 1969, Doylestown, PA) is an artist based in Los Angeles, CA. He holds an MFA from the University of California Los Angeles and a BA in Cultural Anthropology from the University of North Carolina at Asheville. He has had solo exhibitions at Night Gallery, Los Angeles, CA; Harmony Murphy Gallery, Los Angeles, CA; Royale Projects, Palm Desert, CA; Steve Turner Contemporary, Los Angeles, CA; and Haas &#38;amp; Fischer Gallery, Zurich, CH. He has been in numerous group exhibitions, at venues such as Arturo Bandini at Ballroom Marfa, Marfa, TX; 356 Mission Rd, Los Angeles, CA; Lehmann Maupin Gallery, New York, NY; Torrance Art Museum, Torrance, CA; Greider Contemporary, Zurich, CH; and Galleria Fortes Vilaça, São Paulo, BR. In 2016, Callaghan participated in the inaugural Los Angeles public art biennial, Current LA:Water. He currently teaches at Otis College of Art and Design in Los Angeles, CA.

Wynne Greenwood (b. 1977, Seattle, WA) is an artist based in Seattle, WA. She received an MFA from the Milton Avery Graduate School of the Arts at Bard College. Her work has been presented in solo exhibitions, at times in collaboration with Fawn Krieger and K8 Hardy, at the New Museum, New York, NY; Susanne Vielmetter, Los Angeles; CA; Hayward Gallery, London, UK; Frye Art Museum, Seattle, WA; Reena Spaulings, New York, NY; Foxy Productions, New York, NY; and The Kitchen, New York, NY. Greenwood’s performances, installations, and object-based works have been shown internationally including during the 2004 Whitney Biennial and the 2009 Moscow Biennial of Contemporary Art. From 1999–2006, Greenwood performed in the celebrated multimedia art band Tracy + the Plastics.

K8 Hardy (b. 1977, Fort Worth, TX) is an artist and video director based in New York, NY. She holds a BA from Smith College, studied at the Whitney Museum of American Art Independent Study Program, and holds an MFA from the Milton Avery Graduate School of the Arts at Bard College. Hardy is a founding member of the queer feminist journal and artist collective LTTR, and has directed music videos for groups including Le Tigre, Lesbians on Ecstasy, and Men. She has exhibited and performed internationally at venues including, MoMA PS1, New York NY; Artists Space, New York, NY; The Tate Modern, London, UK; and Galerie Sonja Junkers, Munich, DE. Her work is included in the permanent collection of the Whitney Museum of American Art, New York, NY.

Natalie Labriola (b. 1987, Mesa, AZ) is an artist based in Los Angeles, CA. She received an MFA from the Milton Avery Graduate School of the Arts at Bard College and a BFA from New York University. Labriola had solo exhibitions at Shoot the Lobster, Los Angeles, CA and Grey Art Gallery, New York, NY. She has exhibited in numerous group shows at spaces including Bureau, New York, NY; Cleopatra’s, New York, NY; Nicelle Beauchene, New York, NY; Michael Thibault, Los Angeles, CA; Various Small Fires, Los Angeles, CA; and FASTNET, Brooklyn, NY. From 2012 to 2015 she ran a temporary exhibition space called Satellite Space out of a commercial office building in Los Angeles, CA. She is currently working on an artist-designed clothing line and journal called Talis.

Alake Shilling (b. 1993, Los Angeles, CA) is an artist based in Los Angeles, CA. She has had solo exhibitions at 356 Mission, Los Angeles, CA and No Place Gallery, Columbus, OH. Her work has been included in group exhibitions at spaces such as Loyal Gallery, Stockholm, SE; Josh Lilley, London, UK; Night Gallery, Los Angeles, CA; Unclebrother, Hancock, NY; Karma International, Los Angeles, CA; and Steve Turner, Los Angeles, CA.

Roni Shneior (b. 1980 Cabri, Israel) is an artist based in Los Angeles, CA. She received an MFA from the Benzalel Academy of Arts and Design in Tel Aviv, Israel. Shneoir has had solo and two-person exhibitions at venues including Parker Gallery, Los Angeles, CA; JOAN, Los Angeles, CA; The Finley, Los Angeles, CA; and Chin’s Push, Los Angeles, CA. She has participated in multiple group exhibitions at galleries and institutions including Arturo Bandini, Los Angeles, CA; Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, CA; Magenta Plains, New York, NY; Ballroom Marfa, Marfa, TX; and the Uri &#38;amp; Rami Nehoshtan Museum, IL, among others.

The Smudge is a monthly newspaper by Tan &#38;amp; Loose Press, an independent publisher of limited edition artists prints and zines based in Los Angeles, CA. It was started in January 2017, and is edited by Clay Hickson and Liana Jegers. In the spirit of the underground and alternative presses of the 60’s and 70’s, The Smudge offers a unique perspective on issues that affect us all. Proceeds from each month’s issue are donated to various charitable organizations and advocacy groups, including Planned Parenthood, the ACLU, and Everytown for Gun Safety.

Barak Zemer (b. 1979, Jerusalem, Israel) is an artist currently based in Los Angeles, CA. He received his MFA from USC Roski School of Art and Design in 2013 and his BFA from the Bezalel Academy of Arts and Design in Jerusalem. He has had solo exhibitions at spaces including Night Gallery, Los Angeles, CA; CEPA Gallery, Buffalo, NY; AWHRHWAR, Los Angeles, CA; and ltd, Los Angeles, CA, among others. He has participated in numerous group exhibitions in venues including Altman Siegel, San Francisco, CA; International Photography Festival, Tel Aviv, Israel; Ballroom Marfa, Marfa, TX; Fusedspace, San Francisco, CA; JOAN, Los Angeles, CA;and the Haifa Museum of Art, Haifa, Israel. Zemer is currently a senior lecturer at Otis College of Art and Design in Los Angeles, CA.

&#60;img width="5767" height="8651" width_o="5767" height_o="8651" src_o="https://cortex.persona.co/t/original/i/0b9a8e4956bb0455d152fa17d3c70c7b205b0186117a8bf84696bbdf767cc8da/2019_01_12_SHAGGYDOG6211.jpg" data-mid="626777" border="0" data-scale="75"/&#62;

&#60;img width="5005" height="7508" width_o="5005" height_o="7508" src_o="https://cortex.persona.co/t/original/i/8d035066fc13878ad1ef69c563d015eb1d15dffe34d564d258d631d3419b4ec1/2019_01_12_SHAGGYDOG6219.jpg" data-mid="626776" border="0" data-scale="75"/&#62;
Barak Zemer, Mushroom, 2015
Inkjet print on archival paper


63 x 42 inches
&#60;img width="8643" height="5762" width_o="8643" height_o="5762" src_o="https://cortex.persona.co/t/original/i/3515b1c31c3b3172e0f6d801dd804826e76077c3c5c9bbbdff7f081762cdf0f7/2019_01_12_SHAGGYDOG6233.jpg" data-mid="626778" border="0" data-scale="75"/&#62;

&#60;img width="5468" height="5571" width_o="5468" height_o="5571" src_o="https://cortex.persona.co/t/original/i/dd76aaa36c1b8182863d8a4881fb4b50fb02de82f6fad0e1676eb6bcbc37ccbc/2019_01_12_SHAGGYDOG6227.jpg" data-mid="626780" border="0" data-scale="75"/&#62;
Roni Shneior, Old Man, Potato Head, Swallow I, Swallow II,&#38;nbsp; 2018
Ceramic, glass jar with pickled cucumbersDimensions variable

&#60;img width="5644" height="8466" width_o="5644" height_o="8466" src_o="https://cortex.persona.co/t/original/i/448000b61e09ab9d5e127e4bdfcc70d6428dc15e590ecc99e4c6de0ed17f907a/2019_01_12_SHAGGYDOG6223.jpg" data-mid="626779" border="0" data-scale="75"/&#62;Roni Shneior, Duck #1,&#38;nbsp; 2018
Ceramic, paper mache, metal wire, wigDimensions variable


&#60;img width="5663" height="8495" width_o="5663" height_o="8495" src_o="https://cortex.persona.co/t/original/i/39529d8db09316506e293badbb41942d417c502314f5eba8ed486b8fb867eec1/2019_01_12_SHAGGYDOG6238.jpg" data-mid="626781" border="0" data-scale="75"/&#62;Josh Callaghan, Door #3,&#38;nbsp; 2012
Modified doorDimensions variable


&#60;img width="8688" height="5792" width_o="8688" height_o="5792" src_o="https://cortex.persona.co/t/original/i/938cb88e3e4182e91d3268c30f8f52e8f529637886b6aa9b6a44c71ab9ba09f9/2019_01_12_SHAGGYDOG6239.jpg" data-mid="626786" border="0" data-scale="75"/&#62;Natalie Labriola, Feelings, Integrate Your Shadow, Achieve Homeostasis,&#38;nbsp; 2018
Inkjet print

&#60;img width="5674" height="8510" width_o="5674" height_o="8510" src_o="https://cortex.persona.co/t/original/i/967ac664475de4e6266ac4d4e7b2a69c857cd3ceedb30b83c63b360c59d9a5da/2019_01_12_SHAGGYDOG6241.jpg" data-mid="626783" border="0" data-scale="75"/&#62;Natalie Labriola and Kate Berlant, Satellite Space,&#38;nbsp; 2014-2018
Digital video and installation
&#60;img width="8688" height="5792" width_o="8688" height_o="5792" src_o="https://cortex.persona.co/t/original/i/0e19a969de59541ac096619a74e44aea58eff47634a1ea3715787144e7ea34ef/2019_01_12_SHAGGYDOG6245.jpg" data-mid="626784" border="0" data-scale="75"/&#62;Josh Callaghan, Two Dollar Umbrella,&#38;nbsp; 2012
Steel, aluminum, PVC, nylon, office waste basket

&#60;img width="5536" height="8304" width_o="5536" height_o="8304" src_o="https://cortex.persona.co/t/original/i/6fbafc545ed3093c351e57206663719a203a9f8cf547bebc3ba148bb6548ebc7/2019_01_12_SHAGGYDOG6247.jpg" data-mid="626782" border="0" data-scale="75"/&#62;
Barak Zemer, Cake,&#38;nbsp; 2014
Inkjet print on archival paper

63 x 42 inches
&#60;img width="8456" height="5637" width_o="8456" height_o="5637" src_o="https://cortex.persona.co/t/original/i/45e106d6a87cf949497b695a79fba1970d71eb4755209ea880420926beb6042f/2019_01_12_SHAGGYDOG6260.jpg" data-mid="626790" border="0" data-scale="75"/&#62;

&#60;img width="8688" height="5792" width_o="8688" height_o="5792" src_o="https://cortex.persona.co/t/original/i/44808136a483b062b2b63fde6e1fb6f1dea862c7006be990322a31a4d06381e2/2019_01_12_SHAGGYDOG6262.jpg" data-mid="626791" border="0" data-scale="75"/&#62;K8 Hardy and Wynne Greenwood, New Report,&#38;nbsp; 2005
Digital video
&#60;img width="8295" height="5530" width_o="8295" height_o="5530" src_o="https://cortex.persona.co/t/original/i/5b56861b5d596dd2b86b150f01fbde15c0b87b97bfa23e94b04795eacec1a8e2/2019_01_12_SHAGGYDOG6267.jpg" data-mid="626789" border="0" data-scale="75"/&#62;The Smudge, editd by Clay Hickson and Liana Jegers, January to December 2018
Risograph printed monthly magazine
&#60;img width="8665" height="5777" width_o="8665" height_o="5777" src_o="https://cortex.persona.co/t/original/i/2b9319c7b815c9444d42b35f70bb08cfac72c5d514e4de1e93bb68d3f0f3a50f/2019_01_12_SHAGGYDOG6270.jpg" data-mid="626792" border="0" data-scale="75"/&#62;
&#60;img width="8688" height="5792" width_o="8688" height_o="5792" src_o="https://cortex.persona.co/t/original/i/75618f548e5187319dc9153a91c200439b53e9e37a9dafe6d15f9f7e0a85725a/2019_01_12_SHAGGYDOG6251.jpg" data-mid="626785" border="0" data-scale="75"/&#62;
&#60;img width="8525" height="5683" width_o="8525" height_o="5683" src_o="https://cortex.persona.co/t/original/i/004203986e6060181a5a8c436be5ab5e95fb598b6902b4d7413f73630350e6e4/2019_01_12_SHAGGYDOG6255.jpg" data-mid="626788" border="0" data-scale="75"/&#62;
&#60;img width="8353" height="5569" width_o="8353" height_o="5569" src_o="https://cortex.persona.co/t/original/i/211492cbcaeca4b47c684d83afd65aab6a98fd7ce02fb4dacaf78da4e7eb2138/2019_01_12_SHAGGYDOG6253.jpg" data-mid="626787" border="0" data-scale="75"/&#62;Alake Shilling, Baby Face Butterfly Frolicking in the Moss, 2018&#38;nbsp;Glazed ceramic, acrylic paint

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		<excerpt>Shaggy Dog Stories and Other TalesJanuary 5 - March 23, 2019Angels Gate Cultural Center, San Pedro, CA  Kate Berlant and Natalie LabriolaJosh Callaghan  K8 Hardy...</excerpt>

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		<title>The Temple and the Parlor</title>
				
		<link>http://am-ps.info/The-Temple-and-the-Parlor</link>

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		<pubDate>Sat, 22 Jul 2017 03:48:14 +0000</pubDate>

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The Temple and The Parlor

August 20 - October 10, 2015

Favorite Goods, Los Angeles, CA


George Egerton-WarburtonDwyer KilcollinErin Jane Nelson and Matt EndlerPascual Sisto


On the occasion of Favorite Good’s final exhibition, Audrey Moyer, along with Paulina Samborska, reflect on the double-life of the space that housed the gallery. While it was built to be a gallery when first entered from the street, the space also was used as a home. Buffering the zones between private and public, the space served these different functions and confused boundaries, breaking down the temple that is the art space and never submitted to the parlorization of most homes. &#38;nbsp;The Temple and the Parlor further investigates that tension through the work of five artists.About the artists:Dwyer Kilcollin&#38;nbsp;lives and works in Los Angeles, CA. She has exhibited extensively throughout Los Angeles at Del Vaz Projects, Full Haus, Secret Recipe, Marine Art Salon, Perry Rubenstein. Recent solo shows include “Banquet Conference” at American Contemporary, NY; The View co-sponsored by LAXART and M+B, Los Angeles; and upcoming at the Santa Monica Museum of Art. Kilcollin holds a MFA from University of Southern California. 

Erin Jane Nelson&#38;nbsp;lives and works in Atlanta, GA. She has an upcoming solo exhibition at Hester in New York this October. Other solo exhibitions include “Petrichor” at Document Gallery in Chicago, IL, and “Love’s Labor’s 1” at Important Projects, Oakland. &#38;nbsp;Her work has also been included in numerous group exhibitions including at Bureau, NY; Interstate Projects, Brooklyn; Jancar Jones, LA; Mission Comics, San Francisco; and Bad Reputation, LA. &#38;nbsp;Erin is a graduate of Cooper Union, NY. 
Matt Endler lives and works in Los Angeles, CA. He received his BFA from California College of the Arts in 2011. He has had solo exhibitions at Important Projects, Oakland; Born Nude, Chicago; and a two-person exhibitions at RODI Gallery, New York with Bryan Morello. His work has also been included in shows at Interstate Projects, Brooklyn; Yerba Buena Center for the Arts, San Francisco; 1038SF, San Francisco. 
Pascual Sisto is an artist and filmmaker who lives and works in New York, CA. He received his MFA from the University of California, Los Angeles in 2007. &#38;nbsp;Recent solo exhibitions include “Monument Valley” at 5 Car Garage/Emma Gray HQ, Santa Monica, and “The Sum Over Histories” at Smart Objects, Los Angeles. Other recent group exhibitions include China Art Objects, LA; Vacancy, LA; Three Days Awake, LA (curated by Mateo Tannatt); Taylor Macklin, Paris. In 2014, he curated a screening at Michael Thibault, Los Angeles. Sisto is a recipient of the 2012 California Community Foundation Emerging Artist Fellowship. 

George Egerton-Warburton is an Australian artist living and working in Los Angeles, CA. His work has been exhibited widely at institutions in Australia including the Australian Centre for Contemporary Art, Melbourne; the Perth Institute of Contemporary Art, Gertrude Contemporary Art Space, Melbourne; and Artspace, Auckland. Recent exhibitions in Los Angeles include Artist Curated Projects, Chateau Shatto, and As It Stands. &#38;nbsp;He received his Bachelor of Art from Curtin University, Perth, Australia, in 2009. 



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Matt Endler and Erin Jane NelsonDoggy Daddy, 2015Used shade structure, inkjet on cotton, silk ribbon, grommets, tea leaves, spicesDimensions variable




&#60;img width="3456" height="4728" width_o="3456" height_o="4728" src_o="https://cortex.persona.co/t/original/i/cb5c6a63277327af1bf8892113640ddb33464b22573ae23835b039c23e25477e/5.jpg" data-mid="261563" border="0" data-scale="75"/&#62;
Matt Endler and Erin Jane Nelson,&#38;nbsp;Doggy Daddy




&#60;img width="5000" height="3325" width_o="5000" height_o="3325" src_o="https://cortex.persona.co/t/original/i/164be5633f6cf1903bae08e7c74fd834ed93a05ceddf5c6e82e1d1d5b8153ac4/3.jpg" data-mid="261558" border="0" data-scale="75"/&#62;


Matt Endler and Erin Jane Nelson, Doggy Daddy



&#60;img width="3000" height="4559" width_o="3000" height_o="4559" src_o="https://cortex.persona.co/t/original/i/9f5853f180cedf92deba4072bec2c62236c6816201628f24f93a6a66b9acc752/6.jpg" data-mid="261565" border="0" data-scale="75"/&#62;

Matt Endler and Erin Jane Nelson, Doggy Daddy



&#60;img width="3456" height="4848" width_o="3456" height_o="4848" src_o="https://cortex.persona.co/t/original/i/097d7ed7debb10422f426538633e6ebb36a5fe8f93f2f51ebbaa6324982cd1fb/7.jpg" data-mid="261566" border="0" data-scale="75"/&#62;

Matt Endler and Erin Jane Nelson, Doggy Daddy




&#60;img width="5000" height="3449" width_o="5000" height_o="3449" src_o="https://cortex.persona.co/t/original/i/47e0f4f10d5c60270e957164aa8750f805213ceb4a343f276a57f74ae93b9af1/11.jpg" data-mid="261571" border="0" data-scale="75"/&#62;

Matt Endler and Erin Jane Nelson, Doggy Daddy





&#60;img width="3184" height="4696" width_o="3184" height_o="4696" src_o="https://cortex.persona.co/t/original/i/30a502f84943ae79f58cd3e39e2f9d83f1336782d37d3345040d0cac7ee74501/1.jpg" data-mid="261556" border="0" data-scale="75"/&#62;

Matt Endler and Erin Jane Nelson, Doggy Daddy





&#60;img width="5000" height="3313" width_o="5000" height_o="3313" src_o="https://cortex.persona.co/t/original/i/8e95f3a97631c4372698e37ccc0af18c669822458171e9b81ac42306b394e136/12.jpg" data-mid="261569" border="0" data-scale="75"/&#62;



Matt EndlerErrand Runner (Excerpt), 2015Milled debris composite, horsehair bristle, brass9 x 16 x 3 inches





&#60;img width="3456" height="5184" width_o="3456" height_o="5184" src_o="https://cortex.persona.co/t/original/i/bd48bd3c91588a926037e02cd261eebd1f10bb4a096abaaa20821f4637ca14e3/13.jpg" data-mid="261572" border="0" data-scale="75"/&#62;



Matt Endler,&#38;nbsp;Errand Runner (Excerpt)





&#60;img width="5000" height="3333" width_o="5000" height_o="3333" src_o="https://cortex.persona.co/t/original/i/a9c202043007467af16d645e0d53f3fcfd1103d542ebb1401ec62bae7381c03a/14.jpg" data-mid="261573" border="0" data-scale="75"/&#62;Dwyer Kilcollin, installation view


&#60;img width="3000" height="4216" width_o="3000" height_o="4216" src_o="https://cortex.persona.co/t/original/i/31f226f319e0e351cf63d824810a3a59db1aa339289b42efafd99605a335f110/15.jpg" data-mid="261570" border="0" data-scale="75"/&#62;

Dwyer KilcollinUntitled, 2015Stone, resin14 x 12 x 3 inches



&#60;img width="5000" height="3353" width_o="5000" height_o="3353" src_o="https://cortex.persona.co/t/original/i/4b907c1947deee1eb82803793ee1f14ba3f03999fc3f7c54c57cc1416a7e0459/16.jpg" data-mid="261576" border="0" data-scale="75"/&#62;

Dwyer Kilcollin, installation view




&#60;img width="3360" height="5040" width_o="3360" height_o="5040" src_o="https://cortex.persona.co/t/original/i/d17859ad6219520d26bc5ed6ee31e4519a43e3dba6e3b6076622bb9101c15a8d/17.jpg" data-mid="261580" border="0" data-scale="75"/&#62;

Dwyer KilcollinUntitled, 2015Stone, resin15 x 11 x 3 inches



&#60;img width="3360" height="5040" width_o="3360" height_o="5040" src_o="https://cortex.persona.co/t/original/i/2ef2cfbb3abd0e12567c83e75f130a042270d27745cd40c6426795bab998aec1/18.jpg" data-mid="261579" border="0" data-scale="75"/&#62;

Dwyer Kilcollin,&#38;nbsp;Untitled



&#60;img width="5000" height="3287" width_o="5000" height_o="3287" src_o="https://cortex.persona.co/t/original/i/a499e1ec140ea1d65b44a5b48c7f42d4b13d71559f57b9d16b5c62cdf18d3b7b/20.jpg" data-mid="261574" border="0" data-scale="75"/&#62;

Dwyer KilcollinUntitled, 2015Stone, resin, tube15 x 11 x 21 inches




&#60;img width="3360" height="5045" width_o="3360" height_o="5045" src_o="https://cortex.persona.co/t/original/i/5f1ab3a079217000fb2cc149690a9bb986c1bc6c2aad30a2cdec6c51d87a4b4a/21.jpg" data-mid="261575" border="0" data-scale="75"/&#62;

Dwyer Kilcollin,&#38;nbsp;Untitled



&#60;img width="5000" height="3353" width_o="5000" height_o="3353" src_o="https://cortex.persona.co/t/original/i/7b675e05f22c5277bb4a975c8295fec9c6beac631b70570d304dbfd2e9d66c1e/23.jpg" data-mid="261586" border="0" data-scale="75"/&#62;

Dwyer Kilcollin, Untitled




&#60;img width="3360" height="5055" width_o="3360" height_o="5055" src_o="https://cortex.persona.co/t/original/i/9b90a9ba384990ce0180ed7f545d003bbfe781399fb7d07d72c88cb867a1d57f/24.jpg" data-mid="261577" border="0" data-scale="75"/&#62;Dwyer Kilcollin

Untitled, 2015Stone, resin, ball15 x 11 x 4 inches




&#60;img width="3360" height="5040" width_o="3360" height_o="5040" src_o="https://cortex.persona.co/t/original/i/90fd9245cbcb33c62a8071d8395c0689d21d2ec30ccb2de4a679ea168d998078/26.jpg" data-mid="261581" border="0" data-scale="75"/&#62;Dwyer Kilcollin, Untitled


&#60;img width="3208" height="4344" width_o="3208" height_o="4344" src_o="https://cortex.persona.co/t/original/i/059ec14ef7921813e9334dcb421c0edf76ed4b714081651220f72e24ad887160/27.jpg" data-mid="261582" border="0" data-scale="75"/&#62;George Egerton-WarburtonFloorboards dressed as trees, making an L around the bed/ ALIVE DEAD ALIVE (for AGS), 2015Wood, carved wall, vinyl letteringDimensions variable


&#60;img width="5000" height="3333" width_o="5000" height_o="3333" src_o="https://cortex.persona.co/t/original/i/534327465f26516878906bd7f95c3f2cbeae28efcdfdb42d9f76aa4873db8cf1/28.jpg" data-mid="261588" border="0" data-scale="75"/&#62;George Egerton-Warburton,&#38;nbsp;Floorboards dressed as trees, making an L around the bed/ ALIVE DEAD ALIVE (for AGS)

&#60;img width="5000" height="3418" width_o="5000" height_o="3418" src_o="https://cortex.persona.co/t/original/i/21e74b09ff098d9215b885fc3a0e59ad34f27216aa8e540aa5e0199dac76e171/31.jpg" data-mid="261584" border="0" data-scale="75"/&#62;George Egerton-Warburton, Floorboards dressed as trees, making an L around the bed/ ALIVE DEAD ALIVE (for AGS)

&#60;img width="5000" height="3427" width_o="5000" height_o="3427" src_o="https://cortex.persona.co/t/original/i/912e6a881a8b8f4fba20f47703f7a4203d59a4946ae182de121e5c605259b4c7/30.jpg" data-mid="261589" border="0" data-scale="75"/&#62;George Egerton-Warburton, Floorboards dressed as trees, making an L around the bed/ ALIVE DEAD ALIVE (for AGS)


&#60;img width="5000" height="3386" width_o="5000" height_o="3386" src_o="https://cortex.persona.co/t/original/i/b833f4f592214b2f04d52060138273bb23dc2a613899fc54272ac9d6a7316aca/29.jpg" data-mid="261583" border="0" data-scale="75"/&#62;George Egerton-Warburton, Floorboards dressed as trees, making an L around the bed/ ALIVE DEAD ALIVE (for AGS)

&#60;img width="5000" height="6759" width_o="5000" height_o="6759" src_o="https://cortex.persona.co/t/original/i/bf90a35e403c85fa82fa193a677e72744a85f2ed6c032b11d20f4772cdfd9356/34.jpg" data-mid="261559" border="0" data-scale="75"/&#62;Pascual SistoVenetian Blinds, 2015Blinds, projector, media player00:04:00 video, dimensions variable

&#60;img width="5000" height="6772" width_o="5000" height_o="6772" src_o="https://cortex.persona.co/t/original/i/8d23c65ae4b0113ed6615c2e4d8c777719676a4dbca4425214be2d289fe08929/33.jpg" data-mid="261561" border="0" data-scale="75"/&#62;Pascual Sisto, Venetian Blinds


&#60;img width="5000" height="6759" width_o="5000" height_o="6759" src_o="https://cortex.persona.co/t/original/i/64d1716c8cfbe94afdad9608b0185ba833844023d99a2454fccd31d084dffec1/32.jpg" data-mid="261585" border="0" data-scale="75"/&#62;Pascual Sisto, Venetian Blinds


&#60;img width="5000" height="3204" width_o="5000" height_o="3204" src_o="https://cortex.persona.co/t/original/i/6c9ff4ebe3b014c52804a38ad1450a8ba7b951791ccb62c22ac9e4de2b1b7dfb/35.jpg" data-mid="261560" border="0" data-scale="75"/&#62;Pascual Sisto, Venetian Blinds





</description>
		
		<excerpt> The Temple and The Parlor  August 20 - October 10, 2015  Favorite Goods, Los Angeles, CA   George Egerton-WarburtonDwyer KilcollinErin Jane Nelson and Matt...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

	</item>
		
		
	<item>
		<title>In/Ex</title>
				
		<link>http://am-ps.info/In-Ex</link>

		<comments></comments>

		<pubDate>Sat, 22 Jul 2017 03:19:33 +0000</pubDate>

		<dc:creator>am-ps</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">197021</guid>

		<description>
In/ExOctober 8 - 30, 2016Actual Size, Los Angeles, CA
Lindsay August-Salazar
Tanya Brodsky
Maxfield Hegedus
Chloé Elizabeth Maratta
Isaac Resnikoff

In/Ex brings together the work of five Los Angeles-based artists with diverse practices into one unified installation. The works in the exhibition are enclosed in the gallery and are only visible through the building’s large storefront windows. Although the door is locked to visitors, the exhibition is open 24/7 from the public sidewalk. Within this hermetic environment, absent of fleshy bodies, remain surrogates on display. The works inform one another, creating a scene that suggests the movement (or lack) of bodies in space. 

Isaac Resnikoff’s life-size sculpture of a shopper, based on a stock 3D figure used in building design renderings, and Chloé Elizabeth Marratta’s candid photograph of her dressed-up model/musical collaborator/friend, become, in a sense, performers in the space. They interact with symbols from Lindsay August-Salazar’s invented alphabet called “Abstract Character Copies” that correlate to recurrent marks and movements in her drawing and painting. Tanya Brodsky’s simplified architectural forms that evoke everyday objects — such as a drying rack or handrail — also suggest action or use. Maxfield Hegedus’s sculpture, essentially a DIY barber shop pole, maintains its function as eye-catching signage by luring visitors to this contained space.
Although the gallery is made impenetrable through the imposed restrictions of the installation, a new type of engagement is formed — the door is closed, but the windows draw us into a choreographed viewing experience.About the artists:

Lindsay August-Salazar (b. 1986, Los Angeles, CA)Lindsay August-Salazar earned her MFA from UC Irvine in 2013 and a BFA from UCLA in 2008. She was a 2014 Joan Mitchell Foundation Fellow, and recipient of a Rema Hort Mann Foundation grant in 2015. Recent solo exhibitions include LAS 2K15 at Diana, Los Angeles; and Artificial Solutions at Contemporary Art Center, Irvine, CA. She has exhibited in numerous group exhibitions in venues including Ghebaly Gallery, Los Angeles; Santa Monica Museum of Art; &#38;nbsp;Public Fiction, Los Angeles; and Fellows for Contemporary Art, Los Angeles. Upcoming exhibitions include a solo exhibition at Stene Projects, Stockholm, Sweden.
Tanya Brodsky (b. 1982, Kiev, Ukraine)Tanya Brodsky earned her MFA from UC San Diego in 2016, and her BFA from Rhode Island School of Design in 2005. In 2016, she was a fellow at SOMA Summer Program in Mexico City and in 2013 she participated in the Mountain School of Art. Recent group exhibitions include Cabinet of Curiosities at Los Angeles’s Union Station; SPF15, San Diego; Museum of Contemporary Art, San Diego; Vacancy, Los Angeles; Commonwealth and Council, Los Angeles; High Desert Test Sites, Joshua Tree. Upcoming exhibitions include a solo exhibition at Visitor Welcome Center, Los Angeles.
Maxfield Hegedus (b. 1986, Santa Monica, CA)Maxfield Hegedus earned his BFA from the School of the Art Institute of Chicago in 2009. In 2011, he participated in the Mountain School of Art and in 2010 he was a resident at ACRE. He has recently exhibited work in group exhibitions at Gallery Bernhard, Zurich, Switzerland; Michael Thibault, Los Angeles; and CUAC, Salt Lake City.

Chloé Elizabeth Maratta (b.1991, Washington DC)Chloé Elizabeth Maratta earned her BFA from MICA in 2013. She is an artist, designer of Cholé, and a drummer in Odwalla88. She has shown work at Centre for Style, Melbourne; Evening Hours, New York; Springsteen, Baltimore; and Ladybug House, San Francisco. In 2016, her work was exhibited at Schloss, Oslo; Species, Atlanta; and Bodega, New York.

Isaac Resnikoff (b. 1980, Berkeley, CA)Isaac Resnikoff earned his MFA from UCLA in 2009 and his BFA from Cooper Union in 2002. He has had solo exhibitions at JOAN, Los Angeles; Louis B James Gallery, New York; UC Santa Barbara AD&#38;amp;A Museum, Santa Barbara; and Steve Turner Gallery, Los Angeles. His work has been included in group exhibitions at Roberts &#38;amp; Tilton, Los Angeles; Greene Exhibitions, Los Angeles; Ghebaly Gallery, Los Angeles; and Ballroom Marfa, Texas. He is a 2014 recipient of a Center for Cultural Innovation Investing in Artists Grant. Resnikoff is also Co-director of Arturo Bandini, a collaborative project/gallery in Los Angeles, with artist Michael Dopp. 

&#60;img width="5000" height="3121" width_o="5000" height_o="3121" src_o="https://cortex.persona.co/t/original/i/91dab0d594b5b96c36b883a334d09f7781f8044353519ee49bfc9c4f374a9b73/InEx_15_18.jpg" data-mid="261552" border="0" data-scale="75"/&#62;In/Ex exterior installation view

&#60;img width="5000" height="3440" width_o="5000" height_o="3440" src_o="https://cortex.persona.co/t/original/i/a6ba0891664e84bc8170b621223f61c0f2fd1b69d4d9a57b8013edcd0b697a4a/InEx_13.jpg" data-mid="261545" border="0" data-scale="75"/&#62;
In/Ex exterior installation view


&#60;img width="5000" height="3333" width_o="5000" height_o="3333" src_o="https://cortex.persona.co/t/original/i/27970a89882a7f7eb383c03a9b434f5fe0850026a624bb2e13a51a98fb482bba/InEx_8.jpg" data-mid="261541" border="0" data-scale="75"/&#62; 

In/Ex installation view





&#60;img width="4224" height="3366" width_o="4224" height_o="3366" src_o="https://cortex.persona.co/t/original/i/ffd9da376e49d493c68c86bec496c3c3b4dd4459eb16902006d0c60270ae0c51/InEx_3.jpg" data-mid="261536" border="0" data-scale="75"/&#62;


Lindsay August Salazar
Untitled, 2016
Acrylic
Size Variable

 &#60;img width="3280" height="5016" width_o="3280" height_o="5016" src_o="https://cortex.persona.co/t/original/i/b6a43b353b67f9f58eda6e23dafcca6a84b723352c1abcb9a85770f06ff604c6/InEx_4.jpg" data-mid="261538" border="0" data-scale="75"/&#62; 
Issac Resnikoff
Woman with Shopping Bag, 2016
Foam, fiberglass
74 x 38 x 28 inches


&#60;img width="3352" height="5136" width_o="3352" height_o="5136" src_o="https://cortex.persona.co/t/original/i/14a9e029efef446317b6df3a2fc50f94c54ee6143fa548658e4f3093919a2d95/InEx_10.jpg" data-mid="261543" border="0" data-scale="75"/&#62; 

Issac Resnikoff, Woman with Shopping Bag, detail



&#60;img width="3112" height="4536" width_o="3112" height_o="4536" src_o="https://cortex.persona.co/t/original/i/d25da665b5a807a046b423e8224777a6f58955a20ed688c539e83daccfa2ec1c/InEx_2.jpg" data-mid="261535" border="0" data-scale="75"/&#62;Chloé

 Elizabeth Marrata
Flana Fletcher Thunderzone Cuff, 2016
Poster print on wood panel, copper, brass
48 x 36 x 2.5 inches


&#60;img width="5000" height="3333" width_o="5000" height_o="3333" src_o="https://cortex.persona.co/t/original/i/6c0af16786f370415d3eb60984119363fc26afac63a6118f223398dc3e58ed7f/InEx_6.jpg" data-mid="261539" border="0" data-scale="75"/&#62;

Chloé Elizabeth Marrata, Flana Fletcher Thunderzone Cuff, detail


&#60;img width="3235" height="5184" width_o="3235" height_o="5184" src_o="https://cortex.persona.co/t/original/i/79565d740bfa0c4f2cc5b603007ffb73f6bc5aa9e733fc3913f3f1c2dc55e1d7/InEx_12.jpg" data-mid="261544" border="0" data-scale="75"/&#62;
Tanya Brodsky
High vault, 2016
Powder-coated steel, Quikrete
96 x 36 x 18 inches

Tanya Brodsky
Low vault (with sock), 2016Powder-coated steel, Quikrete, resin40 x 28 x 18 inches




&#60;img width="3456" height="5184" width_o="3456" height_o="5184" src_o="https://cortex.persona.co/t/original/i/bcf1e0eed1549942bd719cef9e902edaaf351c656f30d1e71455acf57db9dd22/InEx_11.jpg" data-mid="261546" border="0" data-scale="75"/&#62;
Tanya 
Brodsky, Low vault (with sock), detail
&#60;img width="3024" height="4776" width_o="3024" height_o="4776" src_o="https://cortex.persona.co/t/original/i/b4d4c7e245272f2a86969de2617453d9c382dbfed82deca4e8b4b0634bf050db/InEx_7.jpg" data-mid="261540" border="0" data-scale="75"/&#62;Maxfield Hegedus
Untitled, 2016
Industrial sewing machine motor, wood, foam, paint
Dimensions variable

					    		
</description>
		
		<excerpt> In/ExOctober 8 - 30, 2016Actual Size, Los Angeles, CA Lindsay August-Salazar Tanya Brodsky Maxfield Hegedus Chloé Elizabeth Maratta Isaac Resnikoff  In/Ex...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

	</item>
		
		
	<item>
		<title>Projects</title>
				
		<link>http://am-ps.info/Projects</link>

		<comments></comments>

		<pubDate>Wed, 10 May 2017 03:15:42 +0000</pubDate>

		<dc:creator>am-ps</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">172955</guid>

		<description>Projects
&#60;img width="900" height="600" width_o="900" height_o="600" src_o="https://cortex.persona.co/t/original/i/719270f00b85b928ef210418be52c9269e98c951a0479a02905132cb2abe4d2f/InEx_ActualSize.jpg" data-mid="217427" border="0" /&#62;&#60;img width="900" height="675" width_o="900" height_o="675" src_o="https://cortex.persona.co/t/original/i/ac695d1490b55b471abfdefa5a4c04b011fd7e5a16de040ced8ff394a2f67f66/InEx_install3.jpg" data-mid="217428" border="0" /&#62;&#60;img width="900" height="675" width_o="900" height_o="675" src_o="https://cortex.persona.co/t/original/i/a98bc174e081891e786094d40aec512a632a5ce27941938ef834690f3b2be9e9/InEx_install1.jpg" data-mid="217430" border="0" /&#62;&#60;img width="900" height="675" width_o="900" height_o="675" src_o="https://cortex.persona.co/t/original/i/db0d6ab3673795b5e02da9a5b687d0a9217a496a83c0325d45a57b3508c5c10b/InEx_install2.jpg" data-mid="217429" border="0" /&#62;&#60;img width="900" height="675" width_o="900" height_o="675" src_o="https://cortex.persona.co/t/original/i/f936421bdd090242ed98ec38edc426dbf0c9b3f9ca8cf98644b61a5d3d475e93/InEx_install6.jpg" data-mid="217431" border="0" /&#62;&#60;img width="900" height="690" width_o="900" height_o="690" src_o="https://cortex.persona.co/t/original/i/752e6faedf1939a94ddfe741263cf7482d64a13d6567da56db1604a9cc3d2b86/InEx_IsaacResnikoff.jpg" data-mid="217432" border="0" /&#62;&#60;img width="900" height="690" width_o="900" height_o="690" src_o="https://cortex.persona.co/t/original/i/dd48ecf87a89c0bdca7f533560bb02d95d526317ea3ae51d675273b3e6d785b0/InEx_ChloeMaratta.jpg" data-mid="217433" border="0" /&#62;&#60;img width="900" height="675" width_o="900" height_o="675" src_o="https://cortex.persona.co/t/original/i/48a88ab0eae953231b2a09314791269c2ab05992e543a5aa6743be4ddaef53d5/InEx_ChloeMaratta2.jpg" data-mid="217434" border="0" /&#62;&#60;img width="900" height="675" width_o="900" height_o="675" src_o="https://cortex.persona.co/t/original/i/30de697469ad4c7ba155e35ba5db19b9907e1cf6d58234ad2f9312f12916942e/InEx_install5.jpg" data-mid="217435" border="0" /&#62;&#60;img width="900" height="690" width_o="900" height_o="690" src_o="https://cortex.persona.co/t/original/i/4e20d71f838f5f968eb571c65e1f2f8eef5e8218297361842d0ef8687104396a/InEx_MasfieldHegedus.jpg" data-mid="217436" border="0" /&#62;&#60;img width="900" height="824" width_o="900" height_o="824" src_o="https://cortex.persona.co/t/original/i/9755237ecf83c31a7a5b8dde9750d0fb59ceeb3039705029b67597b1388b21f1/InEx_TanyaBrodsky.jpg" data-mid="217438" border="0" /&#62;&#60;img width="900" height="690" width_o="900" height_o="690" src_o="https://cortex.persona.co/t/original/i/221a9f1c17eadde2f970fef5116de9be015fd884a10bdbc6c8892460b66af420/InEx_TanyaBrodsky2.jpg" data-mid="217437" border="0" /&#62;
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HOME &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ABOUT</description>
		
		<excerpt>Projects     HOME &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ABOUT</excerpt>

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	<item>
		<title>Info</title>
				
		<link>http://am-ps.info/Info</link>

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		<pubDate>Wed, 10 May 2017 00:51:39 +0000</pubDate>

		<dc:creator>am-ps</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">172936</guid>

		<description>

AM+PS is the Los Angeles-based curatorial team of Audrey Moyer and Paulina Samborska
Email us at: amplusps@gmail.com


&#60;img width="480" height="480" width_o="480" height_o="480" src_o="https://cortex.persona.co/t/original/i/569449256f18280ecaa5b7f10ff7b0db335a2c6159710a9764985b4f79764d27/audrey.jpg" data-mid="217394" border="0" data-scale="30"/&#62;
Audrey Moyer
is currently the 2018-2019 Curatorial Fellow at the Hyde Park Art Center and is a MA candidate in Art History at the University of Chicago. She founded and directed Favorite Goods, a project space located in Los Angeles’s Chinatown from 2011-2015. As an independent curator, she recently organized exhibitions at Species, Atlanta, GA, and The Sunroom, Richmond, VA. Additionally, she has worked with artists Charles Gaines and Vanessa Beecroft to produce museum exhibitions, performances, public art projects, and short films.More on Audrey&#38;nbsp;
&#60;img width="480" height="480" width_o="480" height_o="480" src_o="https://cortex.persona.co/t/original/i/04460c3c0cbfc7cbc85fa43fe10e9912b6994c3ed49c65ac1207f4f11cef1104/paulinas.jpg" data-mid="217395" border="0" data-scale="30"/&#62;Paulina Samborskacurrently works for the Ben Matlz Gallery at Otis College of Art and Design, where she has organized exhibitions and programming with artists including Pat O’Neill, Jesse Fleming, Marisa Takal, and Nora Jane Slade. She has worked for a variety of art institutions and spaces in Los Angeles, such as LACMA and the Department of Cultural Affairs, and has organized shows and events at Satellite Space, Shoot the Lobster, and the Women’s Center for Creative Work. She received her MA in Curatorial Studies from USC.
More on Paulina



</description>
		
		<excerpt>  AM+PS is the Los Angeles-based curatorial team of Audrey Moyer and Paulina Samborska Email us at: amplusps@gmail.com    Audrey Moyer is currently the 2018-2019...</excerpt>

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	<item>
		<title>Home</title>
				
		<link>http://am-ps.info/Home</link>

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		<pubDate>Mon, 30 Nov 2015 23:14:12 +0000</pubDate>

		<dc:creator>am-ps</dc:creator>
		
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		<guid isPermaLink="false">172928</guid>

		<description>&#60;img width="1362" height="378" width_o="1362" height_o="378" src_o="https://cortex.persona.co/t/original/i/6cc12d5a16667b0c1cb4f50dc0c7cfc70d4546c82bafd12087b44fefa02fecd4/amps-header.gif" data-mid="217383" border="0" data-scale="49"/&#62;
is the Los Angeles-based curatorial team
of Audrey Moyer and Paulina Samborska

Projects


&#60;img width="780" height="780" width_o="780" height_o="780" src_o="https://cortex.persona.co/t/original/i/28e5d42457162a49a0851d5b25594934c306476c1b719e2d5485127815f22e84/circle1.png" data-mid="217379" border="0" data-scale="25"/&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#60;img width="780" height="780" width_o="780" height_o="780" src_o="https://cortex.persona.co/t/original/i/5a0dd5261cfc44a495a69a93aac33b6aa6d40de4ff256eec54e7dff15e09417e/circle2.png" data-mid="217380" border="0" data-scale="25"/&#62;

 
 &#38;nbsp;&#60;img width="780" height="780" width_o="780" height_o="780" src_o="https://cortex.persona.co/t/original/i/be6d4ae12d3e51e266b321e99816fc0c733461457677785a0bb6478b4e73b070/circle4.png" data-mid="626699" border="0" data-scale="25"/&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="780" height="780" width_o="780" height_o="780" src_o="https://cortex.persona.co/t/original/i/e416a9f131ac2b029156457e0a1b4d8a3207c15b51e74a71dd13d1063bb9d136/circle3.png" data-mid="626793" border="0" data-scale="25"/&#62;
Info

</description>
		
		<excerpt>is the Los Angeles-based curatorial team of Audrey Moyer and Paulina Samborska  Projects   &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;      &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;...</excerpt>

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